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Showing posts with label Abba. Show all posts
Showing posts with label Abba. Show all posts

Saturday, 17 August 2013

Abba: The Day Before You Came & Should I Laugh Or Cry / The Divine Comedy: Commuter Love




Abba's second to last ever single released back in 1982, and said to be the last song they recorded. I've always found this a compellingly beautiful song, grey and repetitive on the one hand, with an undercurrent of the life-changing events that are about to take place for the singer gently lifting the song towards some joyous crescendo.


And here's a 2007 article from The Guardian Music Blog about "The Day Before You Came"





Abba made Joy Division sound like 

Jive Bunny


Recorded 25 years ago today, the Swedish outfit's last and finest song showed the uncrowned kings of sad at their wrist-slitting best.
Abba
Fighting back the tears ... Abba in Brighton for Eurovision, 1974 ... Photograph: PA

What a way to go. On August 20 1982, Abba went into Polar Studios and recorded their last ever song; The Day Before You Came - the most perfect pop record by the most perfect pop group. Groundhog Day without the laughs, The Day Before You Came detailed the miserable minutiae of all our lives: sleep, commute, work, eat, work, commute, telly, eat, sleep. Oh, and then I met you, and suddenly my pointless life had some meaning. Wow!

But that was ever Abba. Although idiots the world over love them as the sound of fun, fun, fun, hardcore Abbaholics have always heard something else in their music. The far fabber four were Sweden's uncrowned kings of sad. Abba's last album, The Visitors, was so unbelievably bleak it made Joy Division sound like Jive Bunny.
The Day Before You Came was Abba at their wrist-slitting best. It also sounds like a band that's already split. All you hear is Benny's synths and Agnetha not singing, just saying - Bjorn had told her to sound bored. She did - in plaintive spades. But Frida is on there too, doing that ethereal "Ahh....". Carl Magnus Palm, author of Abba: The Complete Recording Sessions, assures me he's pretty sure Bjorn is strumming away on acoustic guitar somewhere, but it's mixed down to nothing. Always great recyclers of their own material, the Ber-der-ber synth riff is on loan from Should I Laugh Or Cry. The working title for the song was Den Lidande Fageln. Which translates as Suffering Bird. Carl Magnus Palm says this doesn't sound as hilariously sexist in Swedish.
And how did Great Britain respond to Abba giving them the gift of their greatest song? It climbed to the giddy height of number 32. Never has the record buying public rewarded an act's best track so tattily since Pet Shop Boys' Being Boring wiped out at number 20.
The Day Before You Came was Abba's last ever recording. Benny and Bjorn returned to the studio to mix Under Attack - released as their last single, thus ensuring Abba's career ended with a whimper. Their last appearance as Abba was tragically, though perhaps fittingly, on Noel Edmond's Late Late Breakfast Show.
Abba never actually split up. They just took some time out, so Benny and Bjorn could work on their ever baffling - but brilliant - Cold War musical,Chess, and Agnetha and Frida could produce and promote their solo albums. (Find Frida's second album and hear Slowly - a great lost Abba track, that shows how life with someone can be every bit as painful as life without...)
I've always thought that Benny and Bjorn gave up the Abba ghost when they listened to The Day Before You Came and realised that they could not make a more beautiful record.
No one ever has. Fact!

Now I have no way of knowing if this is true or not, but someone once told me that The Divine Comedy's "Commuter Love" from their album Fin De Siecle was written as a response to "The Day Before You Came". I choose to believe this is true (and the lyrics would suggest I'm quite right to do so).


And finally here is the other Abba song mentioned in the Guardian article - "Should I Laugh Or Cry". Originally the B-side of "The Winner Takes It All" this is a seldom heard gem.

Monday, 17 June 2013

Abba: The Visitors (Paco Guerra 2012 Down Under Mix)



I posted the original version of this a few days ago, but I've just come across this great mix by Francisco Guerra and couldn't resist sharing it.

Tuesday, 11 June 2013

Abba: The Visitors (Crackin' Up)

Seasoned Abba fans will know this song well, but if you are one of those people who think Abba were mere Euro-disco then think again. "The Visitors" is a very different sort of Abba track with dark lyrical content and an exhilerating build to the chorus. Best played loud!

Give this a chance and bear in mind that it's supposed to be about Soviet dissidents waiting on government authorities to come calling. It was released in 1981 as the opening track on the album of the same name which would turn out to be Abba's last ever studio album. It was released as a single in the US in 1982.

This fan-made video re-interprets the lyrics as describing extra terrestrial visitors.


PERFECT POP #2: ABBA - THE VISITORS

I consider it a very good album rather than a truly great one, but it does feature one of the band’s best ever songs in its glorious title track, The Visitors.
The Visitors is arguably ABBA’s most sonically ambitious composition. The first two minutes of the song signal such a significant departure from the group’s classic sound that many listeners at the time must have had to stop the turntable to check that this was definitely an ABBA record and not some obscure psych-prog offering.
The verse features a heavily processed Ani-Frid Lyngstad singing about panic, fear, and secret meetings over pulses of synthesizer and psychedelic swirls of sound. The tension mounts until 2:11, when a crash cymbal announces the arrival of a relatively understated chorus by ABBA's standards. At 2:40 this gives way to gloriously pompous synth-driven instrumental break, and then we’re back to the verse and the song’s titular visitors, who have come to take away and ‘break’ our narrator just in time for the finale.
The song’s lyrics are vague enough to be open to interpretation – in my mind's eye I'm seeing Stasi officers from 2006 film The Lives of Others (Das Leben der Anderen) – but Björn Ulvaeus has claimed that it is about the treatment of dissidents in the Soviet Union at the time. And you thought you knew ABBA? Think again.
If you’re interested in sophisticated pop music with distinctly adult themes (divorce, the loss of innocence, Soviet oppression in the Cold War era) then I would recommend giving the The Visitors a listen. If you think you can only stomach one new ABBA song at time, make it The Visitors. You’ll be coming back for more before you know it.

Saturday, 27 April 2013

Abba: Summer Night City (Extended Original Version)



Before I say goodnight here's Abba's "Summer Night City". I took some of the lyrics from this to use in my very first posting on this blog. 

Much as I loved the 'original' version of this - which was a top 10 hit in the UK in 1978 - the 'how it was actually supposed to be really version' with the extended intro (which was unreleased for years apparently being thought to have had too long an intro for radio) is just fantastic. This is classic pop - enjoy.